The Love
of the World
Deserves Witnesses

Justin Mott

An intimate bond

I took this photograph in December 2019 at Ol Pejeta Conservancy in Central Kenya for my personal project Kindred Guardians. This was the first chapter of this project. I’m a wildlife photojournalist so my stories are equally about the people as they are the animals they help and protect. I knew about the passing of Sudan, the last male northern white rhino in the world, leaving behind Fatu and Najin (both female) as the last two of the sub-species on the entire planet. I knew this was the story I wanted to begin with, focusing on the bond between the caretakers and the rhinos.

Zacharia is the head caretaker for Fatu and Najin and I spent several weeks documenting his bond with them. Every day, he walks with them, talks to them, watches over them, and educates visitors about their plight. He’s not only their caretaker, but in many ways he’s their voice to humanity. He lives in a camp several hours away from his family and spends 21 days on and 6 days off, spending more time with the rhinos than he does with his own family. Capturing that special and intimate bond was paramount to this story and I feel this image succeeded in showing that.

The Love of the World Deserves Witnesses

If a picture made me feel something, it has succeeded.
Justin Mott

I fell in love with photography while studying journalism at San Francisco State University. I’m a curious person by nature and photography gave me an excuse to explore and be creative simultaneously.

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I started my career as a documentary photographer and photojournalist working mainly as a freelancer covering Southeast Asia for The New York Times. I recently turned 40 and made a huge pivot into wildlife photojournalism focusing my energy into my personal project Kindred Guardians, a self-funded personal project documenting people around the world who dedicate their lives to animal welfare and wildlife conservation. As I get older, I want more stories to have meaning and depth, that’s what I strive for.

Leica : Think more, move more

I started my career with a film M6, and I liked that minimalistic style and being light on my toes, not being weighed down physically and mentally by loads of gear. I wanted to go back to a system that made me work harder, think more, move more, and to be more present so I went for the Leica M10-D that does that for me. I use the Leica M10-D as my main camera and a Leica M10 as my back up. Leica’s are expensive, true, but I love that they don’t look shiny and expensive.

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